... she was 80 years-old when she died from lung cancer.
Born Sonia Kalish in Tulchyn, Ukraine in Czarist Russia, Sophie was known for her unique delivery of comical and risque songs. She was one of the most popular entertainers in America during the first two-thirds of the 20th century. She was widely known by the nickname "The Last of the Red Hot Mamas."
Her family emigrated to the United States when she was an infant, and settled in Hartford, Connecticut. The family changed its name to Abuza, and her parents opened a restaurant. She started singing for tips in her family's restaurant. In 1903, at the age of 19, she was briefly married to Louis Tuck, from which she decided to change her name to Tucker.
Tucker played piano and sang burlesque and vaudeville tunes, at first in blackface. She later said that this was at the insistence of theatre managers, who said she was "too fat and ugly" to be accepted by an audience in any other context. She even sang songs that acknowledged her heft, such as "Nobody Loves a Fat Girl, But Oh How a Fat Girl Can Love."
Born Sonia Kalish in Tulchyn, Ukraine in Czarist Russia, Sophie was known for her unique delivery of comical and risque songs. She was one of the most popular entertainers in America during the first two-thirds of the 20th century. She was widely known by the nickname "The Last of the Red Hot Mamas."
Her family emigrated to the United States when she was an infant, and settled in Hartford, Connecticut. The family changed its name to Abuza, and her parents opened a restaurant. She started singing for tips in her family's restaurant. In 1903, at the age of 19, she was briefly married to Louis Tuck, from which she decided to change her name to Tucker.
Tucker played piano and sang burlesque and vaudeville tunes, at first in blackface. She later said that this was at the insistence of theatre managers, who said she was "too fat and ugly" to be accepted by an audience in any other context. She even sang songs that acknowledged her heft, such as "Nobody Loves a Fat Girl, But Oh How a Fat Girl Can Love."
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She first made a name for herself by performing African American influenced songs. Not content with performing in the simple minstrel traditions, Tucker hired some of the best African American singers of the time to give her lessons, and hired African American composers to write songs for her act.
Tucker made her first appearance in the Ziegfeld Follies in 1909, but did not last long there because Florenz Ziegfeld's other female stars soon refused to share the spotlight with the popular Tucker.
William Morris, the founder of the William Morris Agency booked Tucker fresh off her Follies debut at his new American Music Hall. At a 1909 appearance, the luggage containing Tucker's makeup kit was stolen shortly before the show, and she hastily went on stage without her customary blackface. Tucker was a bigger hit without her makeup than with it, and, at the advice of Morris, she never wore blackface again.
She did, however, continue to draw much of her material from African American writers as well as African American culture, singing in a ragtime- and blues-influenced style, becoming known for a time as "The Mary Garden of Ragtime," a reference to a famous operatic soprano of the era.
Tucker made several popular recordings. They included "Some of These Days," which came out in 1911 on Edison Records. The tune, written by Shelton Brooks, was a hit, and became Tucker's theme song. Later, it was the title of her 1945 autobiography.
In 1921, Tucker hired pianist and songwriter Ted Shapiro as her accompanist and musical director, a position he would keep throughout her career. Besides writing a number of songs for Tucker, Shapiro became part of her stage act, playing piano on stage while she sang, and exchanging banter and wisecracks with her in between numbers. Tucker remained a popular singer through the 1920s, and hired stars such as Mamie Smith and Ethel Waters to give her lessons.
In 1925, Jack Yellen wrote one of her most famous songs, "My Yiddishe Momme." She also made the first of her many movie appearances in the 1929 sound picture Honky Tonk. During the 1930s, Tucker brought elements of nostalgia for the early years of 20th century into her show. She was billed as "The Last of the Red Hot Mamas," as her hearty sexual appetite was a frequent subject of her songs, unusual for female performers of the era.
Such was Tucker's notoriety and cultural influence that, as late as 1963, three years before her death, Paul McCartney introduced the song "Til There Was You" at The Beatles' Royal Command Performance at The Prince of Wales Theatre in London on 4 November by saying the song "had also been recorded by our favorite American group, Sophie Tucker."
She continued performing in the U.S. and the U.K. until shortly before her death from lung cancer in 1966, at the age of 80.
Tucker's comic and singing styles are credited with influencing later female entertainers, including Mae West, Rusty Warren, Joan Rivers, Roseanne Barr, Ethel Merman, "Mama" Cass Elliot of The Mamas & the Papas, and most notably Bette Midler who has included "Soph" as one of her many stage characters - and whose daughter Sophie is reputedly named after Tucker.
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She first made a name for herself by performing African American influenced songs. Not content with performing in the simple minstrel traditions, Tucker hired some of the best African American singers of the time to give her lessons, and hired African American composers to write songs for her act.
Tucker made her first appearance in the Ziegfeld Follies in 1909, but did not last long there because Florenz Ziegfeld's other female stars soon refused to share the spotlight with the popular Tucker.
William Morris, the founder of the William Morris Agency booked Tucker fresh off her Follies debut at his new American Music Hall. At a 1909 appearance, the luggage containing Tucker's makeup kit was stolen shortly before the show, and she hastily went on stage without her customary blackface. Tucker was a bigger hit without her makeup than with it, and, at the advice of Morris, she never wore blackface again.
She did, however, continue to draw much of her material from African American writers as well as African American culture, singing in a ragtime- and blues-influenced style, becoming known for a time as "The Mary Garden of Ragtime," a reference to a famous operatic soprano of the era.
Tucker made several popular recordings. They included "Some of These Days," which came out in 1911 on Edison Records. The tune, written by Shelton Brooks, was a hit, and became Tucker's theme song. Later, it was the title of her 1945 autobiography.
In 1921, Tucker hired pianist and songwriter Ted Shapiro as her accompanist and musical director, a position he would keep throughout her career. Besides writing a number of songs for Tucker, Shapiro became part of her stage act, playing piano on stage while she sang, and exchanging banter and wisecracks with her in between numbers. Tucker remained a popular singer through the 1920s, and hired stars such as Mamie Smith and Ethel Waters to give her lessons.
In 1925, Jack Yellen wrote one of her most famous songs, "My Yiddishe Momme." She also made the first of her many movie appearances in the 1929 sound picture Honky Tonk. During the 1930s, Tucker brought elements of nostalgia for the early years of 20th century into her show. She was billed as "The Last of the Red Hot Mamas," as her hearty sexual appetite was a frequent subject of her songs, unusual for female performers of the era.
Such was Tucker's notoriety and cultural influence that, as late as 1963, three years before her death, Paul McCartney introduced the song "Til There Was You" at The Beatles' Royal Command Performance at The Prince of Wales Theatre in London on 4 November by saying the song "had also been recorded by our favorite American group, Sophie Tucker."
She continued performing in the U.S. and the U.K. until shortly before her death from lung cancer in 1966, at the age of 80.
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